1920–1985

Modernism

Design that treated ornament as a problem to solve

Modernism is less a style than a position: that a chair should be honest about being a chair. It runs from the Bauhaus workshops of the 1920s through the Scandinavian and American mid-century work to the deliberate ironies of Post-Modernism, and it overlaps almost everything made in the second half of the century.

Its sub-styles disagree about almost everything except the argument — which is why collectors separate them so carefully, and why the names are used loosely everywhere else.

What to look for

Visible construction, an absence of applied decoration, and a design that can be explained.

Within this

Each has its own page, with its own searches.

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The searches this style is worth looking at. Each opens the collection for it.

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